Sunday 25 September 2011

Feedback

Good work, Oscar, the blog is up to date and contains plenty of relevant research into the key areas of audience and institution,  It would be worth adding some of the feedback you received on your timeline to contextualise the changes that will be made to this for the storyboarding exercise.  Otherwise, keep going with regular updates.

James

Our initial pitch/ ideas for SMAK (slideshow)









Digipack- Album cover research




Thursday 22 September 2011

Our track choice- Chase and status "Let you go"



Let You Go Lyrics
You say,
We can't go on this way,
Things have got to change,
When your gone,
And each day,
A choice gets made,
You think it's yours to make,
But your wrong,

There's nowhere to run,
No place you can go,
Nowhere you can hide,
Where you won't be found,
There's no place on earth,
Where you could lay low,
Wherever you are,
I will track you down,
There's no way in hell,
I will let you leave,
Let you just get up,
And walk out on me,
There's no way on earth,
Hell would have to freeze,
More than twice before,
I will let you gooooo!,

let you....go!,

I will let you go!,

There's no way on earth,
Hell would have to freeze,
More than twice before,
I will let you go,

Let you...go,

You say,
We can't go on this way,
Things have got to change,
When your gone,
And each day,
A choice gets made,
You think it's yours to make,
But your wrong,

There's nowhere to run,
No place you can go,
Nowhere you can hide,
Where you won't be found,
There's no place on earth,
Where you could lay low,
Wherever you are,
I will track you down,
There's no way in hell,
I will let you leave,
Let you just get up,
And walk out on me,
There's no way on earth,
Hell would have to freeze,
More than twice before,
I will let you gooooo!,

There's no way
i will let you go!

Let you go!,

I will let you go!,

There's no way on earth,
Hell would have to freeze,
More than twice before,
I will let you gooooo!,

Let you....go!

Wednesday 21 September 2011

Institutional context

Chase and Status are signed to an independant label called 'Ram Records'
This is a label specifically specialising in the genre of Drum & Bass. Ram Records is multi award winning organisation for its label activities, the music it releases, and the artists it has signed over the years. As well as Ram's musical output, the label is also very well know for its legendary night-club events.

Our hypothetical Artist SMAK, will be signed to a very small independent record label. A record company such as Bad Sekta. Bad Sekta showcases experimental electronic music from genres that have grown and developed out of the free party scene which our artist will be seen to be involved in. 'Fusing elements of Drum’n’Bass, Techno, Hardcore and Industrial, as well as a hefty dose of experimentation'; non-commercial styles of music have been able to flourish in the free party environment and Bad Sekta aims to bring some of these artists to the ear of those who would normally pass them by.

This type of record company, really helps to highlight SMAK's type of star image, and how they would be hired or taken on by a type of company like this. 

Sunday 18 September 2011

Feedback

Well done for catching up, Oscar; that's much more like it in terms of the preliminary planning and your video analyses are useful starting points.  I'd still like you to expand further on this week's task - research and planning into real artists of a similar type to your own.  I know that there is a presentation to upload, but there should also be some account of real artists' star images.

James

Thursday 15 September 2011

Narrative analysis of a music video (Silverstein 'apologize')



Unlike 'recreate' by 'Born of Osiris', 'Silverstein' have gone about this music video by using solely narrative as opposed to performance. The narrative of this video is highly metaphorical and directly applicable to the lyrics of the song. The artistic shots of various spinning innanimate objects at the begining are intensified by the fact that they are all in pairs and symbolic of a fragile love between two people.

We gradually see these objects become more frail throughout this video as the ink spills and as the lyrics discuss the fragile nature of his own emotion until finally we see all of the objects wither, die, smash and break down just as the relationship the song is based on inevitably has done.

The video does however contain a slight literal element within the deeply metaphorical narrative in the sense that the talking on the the phones and letter writting is directly suggestive of broken down relationships and useless apologies, however this still does not count as a performance element due to the fact that it is so tied in with the rest of the narrative.

This music video is very simplistic, however it is both visually and conceptually very impressive and goes to show just how influential and significant the narrative element of any music video can be.  

Performance analysis of musc video (Born of Osiris 'Recreate')



This video by the band 'Born of Osiris', for the track 'Recreate', is shot entirely from a live show and contains no narrative element, this is a less common, yet interesting way of going about shooting a music video. As can be seen from the video, the primary advantage of simply using solely this live footage to is the fact that the bands live performance can be cut together and edited in such a way that it makes them look highly impressive and can act as an adertisement for the bands live shows.

The footage is cut together with a very fast pace of editing, switching between a vast number of interesting and well possitioned yet shakey shots which portray the band in an almost heroic light in order to convey the frantic excitement that they create from the actuall live situation.

Shots from above of the crowd help the band to present itself as a band who care about how thier performances are recieved and show that the crowd is just as muchg a part of thier work as thier music itself.

Wednesday 14 September 2011

Introduction to advanced portfolio

A promotion package for the release of an album, to include a music promo video, together with two of the following three options:

a website homepage for the band;

a cover for its release as part of a digipak (CD/DVD package);

a magazine advertisement for the digipak (CD/DVD package).

All material for all tasks to be produced by the candidates with the exception of acknowledged non-original sound or image material used in a limited way in video/radio work. Further guidance will be available in the support materials. For music video, permission should be sought from the artist for use of the audio track.


The centre will be expected to allocate marks according to four levels for each of three categories:


Research and Planning

Construction

Evaluation

In arriving at a level for each category, teachers are advised to look for evidence of ‘best fit’. It is possible both for a candidate to be placed in different levels for each of the three categories and to receive quite different marks from other members of the same group responsible for producing an artefact, according to his/her contribution. Teachers are asked to support marks with written comments under the three categories on the assessment sheet.

Our Listener



 
  • Male
  • Aged between 14 – 24 (school or uni)
  • Race – White or Black
  • Middle Class because there are able to afford this consumption.
  • Trendy and Fashionable
  • To look hard
  • Following trends (sheep)
  • Watch MTV, Read ‘NME’
  • Active on the Nightclub Scene
  • Go to Festivals and Live Performances
  • Older audience – childless, still thinking their young, still go out socialising.

Tuesday 13 September 2011

Another potential music video treatment

Band/ Artist: Placebo
Song: 20 years

Star Image:

  • Alternative/ underground
  • Introverts
  • Vulnerable yet confident
  • Open sexualities/ transcendent of the boundaries e.g risqué clothing
  • Depressive

Treatment for music video:

  • Autumn, shots of leaves falling, slow
  • Emphasis on colour
  • 3 piece band to be playing in arranged lighting so the faces cannot be seen (suggesting more importance on the music and the emotion as opposed to the individual, this supports the concept of introvercy)
  • Narrative element being a solitary man walking these empty yet colourful scenes of autumn, but he has no colour.
  • He stares at clocks, time speeds and slows
  • When the music builds, his surroundings loose colour and he gains his colour, but the world stands still around him as if he is trapped
  • The final shot is an extreme close up of his eye, reverse zoom back up over him in a different location (i.e his room) staring blankly into the camera.

Potential music video treatment

Band/ Artist: Gary Jules

Song: Falling awake

Star Image:

  • Very basic/ just a man and his guitar (the main  image is a lack of image)
  • Poignant
  • Image is based on solely the music as opposed to physical apearence
  • Acoustic


Treatment for music video:

·        The artist sits in a crowded street playing the song, quietly to himself with his guitar.
·        People pass by  and no one stops (fast motion)
·        However as particular individuals pass him by, the camera will follow them into their own mental flashback that is relevant to the lyrics the artist sung as the walked by.
·        The shot keeps returning to the artist but continues to pick up on the people walking by (who still don’t notice him). This shows that what he sings is relevant to everybody but that we don’t have time to hear other people.
·        The video would close on a very simple shot of the artist and his guitar once again, before he gets up, leaving the guitar and walks away.

Monday 12 September 2011

Preliminary task evaluation

We used basic shot choices for this preliminary task, focusing on conventional shots such as close ups, extreme close ups, wide shots and mid shots, we did not include more technical shot choices that we used in our AS thriller such as tracking shots, panning shots and overhead (birds eye veiw) shots. We also did not use any particularly challenging camerawork techniques such as focus pulls or handheld shots, but instead tried to focus on well possitioned and visually interesting frames for our shots such as that in piture 3 (below). Through research as well as spending time with the band, it was clear that thier image was vintage and that they were attempting to portray themselves as a band who are entirely non-conventional in terms of where music has moved on to from the era of music which is clearly a huge inpiration behind this band. Subsiquently, minimalistic yet intersting camera work seemed to be the most effective way of conveying this and i believe that this has worked to great effect.

Our group took turns in different roles during the shooting of the video, moving between cameraman, director and music technician. This was a good experience for everyone due to the fact that we got an all round sense of the way in which different roles during the procces each contribute toward the overall composition of the music video. In particular i found the editing of the video highly interesting as it gave me a chance to experience the way in which shooting a music video differs from shooting a short film, for example cutting to the beat of the music which is essential. During the shooting proccess itself, i feel that i enjoyed the role of being the camera man the best because i am highly interested in the technical elements of creating media products, be it music, films, music videos or photography.

I feel that the way the day was structured (switching roles periodically and learning vicariously from watching one another in our assigned roles) helped my group to work really well as a team. We were pragmatic about any issues; such as framing all seven members of the band well within a shot, and worked patiently together during the editing process to create what i believe to be an impressive standard music video for our preliminary task.

I found the editing process particularly beneficial. As i mentioned, learning how to cut tightly to the beat of the music is a simple yet highly valuable skill which i will no doubt use well in my music video practical work this year. We gave the song a relatively fast pace of editing, partially because a seven piece band is alot of people to give appropriate screen time to within the space of one song but also because of the bands 'kooky' image and the upbeat nature of the song. The primary point of focus however, in terms of screen time was clearly the lead singer as she leads the song and the bands image, hence the name 'Jane Doe and the undesirables.'

I am very pleased with the result of the day. I feel as if we have succesfully matched the image of both the band and the track with the video, largely as a result of prior research into thier desired image. The musicians and singers are all well synced to the track in the video as a result of the fact that we were taught and succesfully picked up on how to do this during the editing process. However it must not be forgotten that the band themselves were highly professional on the day and that they made working with them an oveall pleasurable experience which did help greatly.








Analysis of Music video (star image)




This video is 'The Serpent' by the band 'Rise to Remain'. I decided to use this video due to the fact that it says alot about the bands star image. In terms of Mise en Scene, the video is very minimalistic, focussing on the bands live performance and ability as well as commitment as musicians through the vast majority of the focus being on the instruments themselves and the frontmans (Austin Dickinson) narritive performance, the rest of the video is made up of the band preparing thier live performance (e.g tuning instruments and checking out a venue before they play. This supports the star image for the band that they are about both thier musical passion and performance, with much emphasis placed on the frontman due to the fact that the band are very lyrically driven also.

Alongside the performance, the fast pace of editing combined with rapid focus pulls and very unsteady handheld camera shots (or perhaps camera shake put on in post-production) gives off the impression that the band are very high energy and intense, however the dynamics between the soft and hard parts of the track used in conjunction with the same principles for editing show that the band have a proffessional aproach to music with parts to please fans of many different musical tastes.

Preliminary task- Jane Doe and the Undesirables

http://youtu.be/fhrSs1F0rZk

Sunday 11 September 2011

Feedback

Your last post was in April, Oscar, which means that there is an awful lot of material which you have not posted from he last few weeks of the Summer term and it is disappointing that you have not made any attempt to meet the first deadline which was set. It is important that you do not let things slip, so double your efforts to get this blog up to speed for next Friday.

James